Electronic Body Music, abbreviated as EBM, is a genre characterized by its high-energy, machine-driven rhythms and aggressive, danceable sound. Unlike Industrial music, which focuses on exploring unconventional sounds, EBM emphasizes creating compelling beats and basslines that incite a distinctly physical, almost militaristic response. Its sound is marked by harsh, arpeggiated synthesizer lines reminiscent of industrial machinery and deep, resonant bass that evoke the sensation of an electric body buzz.

Originating in early 1980s Germany, EBM soon spread to other regions such as the UK, Sweden, Belgium, and even Vancouver in Canada. In Belgium, it developed into a prominent force, eventually giving rise to related genres such as New Beat and Rave. The music typically incorporates politically charged vocals delivered in a forceful, commanding manner, reflecting themes of social conformity, totalitarianism, and the dehumanizing aspects of industrial society. Although the imagery and stylistic elements may appear militaristic or even fascistic, the underlying messages in EBM are often anti-fascist in nature, critiquing authoritarianism rather than endorsing it.

EBM’s visual and cultural aesthetic has significantly influenced the industrial subculture, notably among groups known as Rivetheads. This subculture, characterized by its blend of punk, goth, and cyberpunk influences, adopts a look that combines military regalia with elements of futuristic and medieval fashion, although it is generally non-violent and distinct from the extremist ideologies its imagery might superficially suggest.

Over time, EBM has diversified into several subgenres. One notable offshoot is Electro-Industrial, which replaced the traditional 4-to-the-floor beat with breakbeats, while another evolution led to Aggrotech. Additionally, a stripped-down, instrumental variant known as Trance briefly emerged, highlighting the genre's capacity for minimalism. Today, EBM maintains a presence as a niche yet enduring form of electronic music, serving as a darker counterpart to more mainstream descendants like Futurepop.